Hiragana: The Sounds of Japanese
Before grammar, before vocabulary, comes sound. This chapter gives you the complete hiragana system — all 46 basic kana plus every pronunciation rule you need — so you can read and say any Japanese word with confidence.
Hear it: long and short vowels
This real game lesson drills the exact sound contrasts you just learned — tap ► to hear each line spoken by a native voice.
Rose領収書をお持ちですか?
ryōshūsho o omochi desu ka?
Do you have the receipt?
Rockyはい、どうぞ
hai, dōzo
Yes, here you are
Roseありがとうございました
arigatō gozaimashita
Thank you very much
Rose新しいシャツをどうぞ
atarashī shatsu o dōzo
And here's a new shirt
One symbol, one beat
Hiragana (ひらがな) is the first of Japanese's three scripts and the one every learner starts with. It isn't an alphabet of single letters but a syllabary: each symbol is a complete sound, almost always a consonant plus a vowel. か is always ka, ぬ is always nu — no silent letters, no surprises. Learn the 46 basic symbols and a handful of rules, and you can pronounce every word in this guide correctly.
Those rules all rest on one idea: the mora, or beat. Each kana takes exactly one beat, and the beats are evenly timed, like a metronome. なまえ ("name") is three even beats: な・ま・え. The nasal ん gets a full beat of its own, so にほん ("Japan") is also three beats: に・ほ・ん. English squashes its unstressed syllables; Japanese gives every beat its full length — and as you'll see below, getting the beat count right is often the only difference between two completely different words.
The 46 basic kana: the gojūon chart
All 46 basic kana fit on one chart, the gojūon (五十音, "fifty sounds"). The five vowels in the top row anchor everything: a as in father, i as in machine, u like "oo" with relaxed lips, e as in pet, and o as in go but pure, with no glide. Every other row is simply a consonant married to those same five vowels.
| a | i | u | e | o | |
|---|---|---|---|---|---|
| — | あ a | い i | う u | え e | お o |
| k | か ka | き ki | く ku | け ke | こ ko |
| s | さ sa | し shi | す su | せ se | そ so |
| t | た ta | ち chi | つ tsu | て te | と to |
| n | な na | に ni | ぬ nu | ね ne | の no |
| h | は ha | ひ hi | ふ fu | へ he | ほ ho |
| m | ま ma | み mi | む mu | め me | も mo |
| y | や ya | — | ゆ yu | — | よ yo |
| r | ら ra | り ri | る ru | れ re | ろ ro |
| w | わ wa | — | — | — | を o |
| n | ん n | the only kana with no vowel — a full beat on its own | |||
Five readings break the pattern and are marked in bold: し is shi (never "si"), ち is chi, つ is tsu, ふ is a soft fu blown between the lips (halfway between f and h), and を sounds identical to お — it survives only as the object particle you'll meet in chapter 9. The gaps in the y- and w-rows are sounds that merged with the plain vowels centuries ago.
A tip before you practise: many printed fonts join strokes that handwriting keeps separate. Handwritten き and さ have a detached bottom stroke, and り is written as two strokes even when your font shows one curve. If your writing doesn't match the font, you're probably doing it right.
Dakuten and handakuten: two marks, 25 more sounds
Japanese doesn't need new symbols for ga or pa. Two small marks added to kana you already know do all the work:
- Dakuten ( ゛) — two short dashes that voice the consonant: か ka → が ga, さ sa → ざ za, た ta → だ da, は ha → ば ba.
- Handakuten ( ゜) — a small circle, used only on the は row, turning h into p: は ha → ぱ pa.
| a | i | u | e | o | |
|---|---|---|---|---|---|
| g | が ga | ぎ gi | ぐ gu | げ ge | ご go |
| z | ざ za | じ ji | ず zu | ぜ ze | ぞ zo |
| d | だ da | ぢ ji | づ zu | で de | ど do |
| b | ば ba | び bi | ぶ bu | べ be | ぼ bo |
| p | ぱ pa | ぴ pi | ぷ pu | ぺ pe | ぽ po |
Note the two pairs of lookalikes: じ and ぢ are both pronounced ji, and ず and づ are both zu. Modern spelling almost always uses じ and ず — ぢ and づ turn up only in a few compound words (see the FAQ below).
Small-kana combinations: きゃ, きゅ, きょ
Take any kana from the い column (き, し, ち, に…) and add a small ゃ, ゅ or ょ, and the two fuse into a single one-beat sound: き + small ゃ = きゃ kya. These combinations — there are 33 of them — fill in sounds like kyo, sha and ju that the basic chart can't write.
| + ゃ | + ゅ | + ょ | |
|---|---|---|---|
| き | きゃ kya | きゅ kyu | きょ kyo |
| し | しゃ sha | しゅ shu | しょ sho |
| ち | ちゃ cha | ちゅ chu | ちょ cho |
| に | にゃ nya | にゅ nyu | にょ nyo |
| ひ | ひゃ hya | ひゅ hyu | ひょ hyo |
| み | みゃ mya | みゅ myu | みょ myo |
| り | りゃ rya | りゅ ryu | りょ ryo |
| ぎ | ぎゃ gya | ぎゅ gyu | ぎょ gyo |
| じ | じゃ ja | じゅ ju | じょ jo |
| び | びゃ bya | びゅ byu | びょ byo |
| ぴ | ぴゃ pya | ぴゅ pyu | ぴょ pyo |
The size of the second kana matters enormously. A full-size や is its own beat; a small ゃ melts into the kana before it:
- びょういん byōin (4 beats) — hospital
- びよういん biyōin (5 beats) — beauty salon
One extra beat, and your taxi takes you somewhere very different.
The small っ: a beat of silence
The small っ (the sokuon) is never pronounced "tsu". It is a silent beat: you set your mouth in position for the next consonant, hold it for one full mora, then release. In romaji it's written by doubling that consonant:
- きって kitte (き・っ・て, 3 beats) — stamp
- きっぷ kippu — ticket
- ざっし zasshi — magazine
- ちょっと chotto — a little
Just like the small ゃ, the small っ changes meaning, not just sound: おと oto is "sound", but おっと otto is "husband". When you say がっこう ("school"), count it out — が・っ・こ・う, four even beats with a genuine moment of silence in the middle. Resist the English urge to rush through it.
Long vowels: おう, おお and えい
A long vowel is the same vowel held for two beats instead of one. Hiragana writes it by adding a second vowel kana — but the kana you add isn't always the one you'd guess:
| Long vowel | Spelling | Example |
|---|---|---|
| ā | あ + あ | おばあさん obāsan — grandmother |
| ī | い + い | おじいさん ojīsan — grandfather |
| ū | う + う | ゆうびんきょく yūbinkyoku — post office |
| ē | え + い (usually) | せんせい sensei — teacher |
| ō | お + う (usually) | とうきょう tōkyō — Tokyo |
A handful of common words spell long ō with お instead of う: おおきい (big), とおい (far), こおり (ice). And えい is pronounced as one smooth long ē in natural speech, so せんせい sounds like "sensē". In katakana — next chapter — every long vowel is written with a single dash instead, the chōonpu ー, as in コーヒー (coffee).
おばあさんはやさしいです。
obāsan wa yasashii desu.
Grandma is kind.
Drop one beat — おばさん — and she becomes your aunt. Hold the ā for two full beats.
映画をみます。
eiga o mimasu.
I watch a film.
Written えいが, pronounced "ēga" — the えい blends into one long vowel.
東京は大きいです。
tōkyō wa ōkii desu.
Tokyo is big.
とうきょう spells both long ōs with う, while おおきい is one of the exception words spelt with お.
More practice in the game
Long vowels and doubled consonants are far easier to learn by ear than by eye. These two free browser lessons drill exactly these contrasts with native audio — minimal pairs like obasan/obāsan, plus the spelling rules from this chapter.
Why does Japanese use three scripts?
Japanese was first written entirely in kanji borrowed from China — an awkward fit for a language full of grammatical endings. In the Heian period (794–1185), writers found shortcuts: hiragana grew out of fast, cursive handwriting of whole kanji — 安 melted into あ, 以 into い. Court women, largely excluded from formal Chinese education, made it the script of poetry, diaries and fiction, including The Tale of Genji, often called the world's first novel. Meanwhile, monks built katakana from small fragments of kanji as reading notes. The three scripts never merged; instead they settled into a clean division of labour that survives today — kanji for word stems, hiragana for grammar, katakana for foreign words — so a single glance at a Japanese sentence tells you which job each word is doing.
Test yourself
Eight quick questions on kana recognition, beats and long vowels.
8 quick questions on this chapter.
Your score
Common questions
Quick answers about this chapter's grammar.
How long does it take to learn hiragana?
Most learners can recognise all 46 basic kana within one to two weeks of short daily practice, and reach comfortable reading speed in about a month. Recognition comes quickly; speed comes from reading real words. Drill a few rows a day, then immediately read game vocabulary written in kana — recalling sounds in context is what makes them stick.
Should I learn hiragana or katakana first?
Hiragana first, without question. It carries all of Japanese grammar, every textbook uses it from page one, and furigana reading aids are written in it. Katakana (chapter 2) represents exactly the same sounds, so once you know hiragana you're only learning 46 new shapes, not a new system.
Do I need to handwrite hiragana for the JLPT N5?
No — the JLPT is entirely multiple choice, so you only ever need to recognise kana, never write them. That said, writing each character a few times with correct stroke order is one of the fastest ways to fix lookalikes such as き/さ and ぬ/め in your memory, even if you never handwrite Japanese again.
What's the difference between じ and ぢ, and ず and づ?
Nothing in pronunciation — in modern standard Japanese both pairs sound identical, as ji and zu. Spelling defaults to じ and ず; ぢ and づ survive only where a word's original ち or つ becomes voiced inside a compound, as in はなぢ (nosebleed, from はな + ち) and つづく (to continue). When in doubt, write じ and ず.
Want more practice? Browse all free Japanese lessons or look words up in the Japanese dictionary.